So what I’m hearing is that if we don’t like the direction AI is taking us, we should be littering the internet with as much AI text and art as we can while pretending it’s not AI.
Separately, with how popular AI is obviously posed to become, does this mean we’ll stagnate culturally? With AI making the artist, the authors, the creatives job extremely difficult to monetize since their work will always be replicated quicker, cheaper, and in higher quantity by the bot than them these things will become much less human generated. If AI cannot get past this we’ll just be stuck here, with little cultural evolution.
Throughout history, people have always been driven to create, and others have always sought out creative works. For that reason, I don’t think we’ll necessarily “stagnate culturally” in a broad sense.
However, at least in the US, we’re already standing at the precipice of making creative work practically impossible. Our extremely weak (by peer nation standards) labor protection laws and social support systems tends to strip life of everything but the obligation to work.
Our last bastion of hope for structural protection for creativity is the possibility that anyone could both create, and profit from it. Copyright law was, originally, intended to amplify that potential.
I usually point to stock photography as an area where people used to be able to make at least modest money, but nowadays you’d be lucky to make poverty wages. The market was flooded by cheap, high-quality cameras, and thus cheap, high-quality images. AI will do the same thing for many other mediums.
What has me really concerned is that the majority of really cool makers and creators I watch on YouTube are Canadian. I’ve convinced myself that this is because someone living in Canada can take the very real risk of sinking their life’s energy into starting a YouTube channel because at least they know that if they get cancer, they have somewhere to go.
Not so here in America. If you aren’t working for an established employer, or sitting on quite a bit of cash for independent health insurance, you’re taking substantial risk in being unemployed for any length of time (assuming you have the choice). Even if you do “make it,” the costs of self-insurance for sole proprietors is no joke!
So the only people taking their life in their own hands to create works of real cultural value are 1) the few percent who manage to get paid for it, 2) the independently wealthy and/or retired, and 3) the poor and desperate who would be just as precarious in either case.
It’s not our finest hour here, if I do say so. I hope the rise of AI helps amplify this conversation. I am truly concerned about it.
So what I’m hearing is that if we don’t like the direction AI is taking us, we should be littering the internet with as much AI text and art as we can while pretending it’s not AI.
Separately, with how popular AI is obviously posed to become, does this mean we’ll stagnate culturally? With AI making the artist, the authors, the creatives job extremely difficult to monetize since their work will always be replicated quicker, cheaper, and in higher quantity by the bot than them these things will become much less human generated. If AI cannot get past this we’ll just be stuck here, with little cultural evolution.
Throughout history, people have always been driven to create, and others have always sought out creative works. For that reason, I don’t think we’ll necessarily “stagnate culturally” in a broad sense.
However, at least in the US, we’re already standing at the precipice of making creative work practically impossible. Our extremely weak (by peer nation standards) labor protection laws and social support systems tends to strip life of everything but the obligation to work.
Our last bastion of hope for structural protection for creativity is the possibility that anyone could both create, and profit from it. Copyright law was, originally, intended to amplify that potential.
I usually point to stock photography as an area where people used to be able to make at least modest money, but nowadays you’d be lucky to make poverty wages. The market was flooded by cheap, high-quality cameras, and thus cheap, high-quality images. AI will do the same thing for many other mediums.
What has me really concerned is that the majority of really cool makers and creators I watch on YouTube are Canadian. I’ve convinced myself that this is because someone living in Canada can take the very real risk of sinking their life’s energy into starting a YouTube channel because at least they know that if they get cancer, they have somewhere to go.
Not so here in America. If you aren’t working for an established employer, or sitting on quite a bit of cash for independent health insurance, you’re taking substantial risk in being unemployed for any length of time (assuming you have the choice). Even if you do “make it,” the costs of self-insurance for sole proprietors is no joke!
So the only people taking their life in their own hands to create works of real cultural value are 1) the few percent who manage to get paid for it, 2) the independently wealthy and/or retired, and 3) the poor and desperate who would be just as precarious in either case.
It’s not our finest hour here, if I do say so. I hope the rise of AI helps amplify this conversation. I am truly concerned about it.